![]() ![]() Let All Canons Fall or Aktualnerosen: Performer II (2019), Pencil on paper, 70 x 50 cm, Photo: Trevor Good (Berlin)Ĭornucopia: Performer I (2022), Pencil on parachute nylon, miniature fans, neoprene, battery packs, Dimensions variable, Photo: Nick Ash (Berlin), Performer in photo: Sonya Levin The Narcissist or Elsa's Muse: Performer III (2019), Pencil on paper, 70 x 50 cm, Photo: Trevor Good (Berlin) VI Eternal Drift, Pencil on paper, 50 x 70 cm, Photo: Nick Ash (Berlin)īang Bang Baroque (2021), 3D models and VR from maquettes, Photo: Daniel Neubacher (Bremen)īang Bang Baroque: Floor Score (2021), Pencil on paper, 70 x 50 cm, Photo: Nick Ash (Berlin)īang Bang Baroque: Base Score, Performer I, II & III and Guests (2021), Pencil on layered vellum, 70 x 50 cm, Photo: Nick Ash (Berlin)īang Bang Baroque: Base Composers Score, Performer I, II & III and Guests (2021), Pencil on layered vellum, 70 x 50 cm, Photo: Nick Ash (Berlin)īang Bang Baroque: Performer Score I (2021), Pencil on layered vellum, 70 x 50 cm, Photo: Nick Ash (Berlin)īang Bang Baroque: Performer Trajectory Score I (2021), Pencil on layered vellum, 70 x 50 cm, Photo: Nick Ash (Berlin)īang Bang Baroque: Performer Score II (2021), Pencil on layered vellum, 70 x 50 cm, Photo: Nick Ash (Berlin)īang Bang Baroque: Performer Trajectory Score II (2021), Pencil on layered vellum, 70 x 50 cm, Photo: Nick Ash (Berlin)īang Bang Baroque: Performer Score III (2021), Pencil on layered vellum, 70 x 50 cm, Photo: Nick Ash (Berlin)īang Bang Baroque: Performer Trajectory Score III (2021), Pencil on layered vellum, 70 x 50 cm, Photo: Nick Ash (Berlin)Įnergetic Pessimist (after Kristeva): Performer I (2019), Pencil on paper, 70 x 50 cm, Photo: Trevor Good (Berlin) V Drowning Beautiful, Pencil on paper, 50 x 70 cm, Photo: Nick Ash (Berlin) IV Uncrowned, Pencil on paper, 50 x 70 cm, Photo: Nick Ash (Berlin) III Punitive Major, Pencil on paper, 50 x 70 cm, Photo: Nick Ash (Berlin) II Gravity Grace, Pencil on paper, 50 x 70 cm, Photo: Nick Ash (Berlin) I Caustic Compersion, Pencil on paper, 50 x 70 cm, Photo: Nick Ash (Berlin) Manageable Matter: Maces I-VI, Pencil on paper, 50 x 70 cm, Photo: Nick Ash (Berlin) DOP: Kleber Nascimento (Berlin)īang Bang Baroque (2022), Production still: Glass artichokes, score printed on Marley dance floor. This exhibition is made possible with generous support from The Berman Foundation.Bang Bang Baroque (2022), Production still: Glass artichokes, score printed on Marley dance floor, Dimensions variable. ![]() The Berman Museum has the distinction of holding more works by Chadwick in its collection-over 150 sculptures, from monumental bronzes to studio maquettes-than any other institution in North America, making Tyger, Tyger a fitting tribute to the role of art in a liberal education and at Ursinus in particular. Chadwick’s process was akin to “drawing in space,” using iron rods to build frameworks of juxtaposed polyhedrons, and later filling them out with a mixture of iron filings and plaster that could be smoothed, scored, or left with a roughly textured finish. Lynn Chadwick was part of the post-WWII generation of British sculptors known for their dramatic, welded iron works that combined often-figurative subjects with expressionistic abstraction. Likewise, the works in Tyger, Tyger contain a similar vital energy. The exhibition borrows its title from the famous poem in William Blake’s Songs of Innocence and Experience (1794), in which the majestic yet fearsome tiger is questioned about its origins and creator. Though they are from different generations, these artists share focused thematic, stylistic, or conceptual motifs, such as an interest in mythology or ritual, the presence of hybrid-humanoid figures, and the meshing of geometric and organic forms. Tyger, Tyger: Lynn Chadwick and the Art of Now juxtaposes the work of British sculptor Lynn Chadwick (1914–2003) with drawings, paintings, sculptures, and photographs made by a select group of international contemporary artists, including Nick Cave, John Coplans, Louise Despont, Anya Kielar, J.D.
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